That Drifting Poo Was Way Too Symbolic! These Are the Television Disappointments of the Year.
Looking back, we reflect on the TV landscape of the recent year, a selection of series stand out not for their excellence, but for their spectacular shortcomings. Ranging from awkward spin-offs to bafflingly poor docuseries, here are the programmes that had us utterly bewildered or just reaching for the remote.
And Just Like That
How to start with this divisive follow-up? Plagued with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to justify its existence. For a moment, as the third season started, it looked like it had finally found its groove. Then arrived an episode all about Seemaâs natural deodorant. No wonder the creator declared this would be the last season. It ended on a bum note; the closeup of Mirandaâs toilet flooded with poo was just way too symbolic. Yet, viewers certainly found joy dissecting every single âwtf?â episode. And as Carrie â a single woman once more â danced around her sprawling townhouse to Barry White, who didnât release a little sob?
The Kim Kardashian Drama
âIs Kim Kardashian an actress? The answer is a resounding no.â
But that was almost the smallest of this drama's problems. The recipient of a exceedingly uncommon no-star review, it was hard to know where to begin enumerating the problems. The hilariously wooden dialogue? The tedious veneration of wealth and consumption? The almost deliberate procession of cliches? Performances so bad they felt almost spiteful? Letâs just say âall of the aboveâ and never speak of this show again. However, a second season has been commissioned, so weâre probably going to have to.
AKA Charlie Sheen
Considering the restraining orders, domestic violence allegations and parental shortcomings, itâs reasonable to say Charlie Sheen has been a troubled figure. Not that youâd truly have gleaned it from this multi-part documentary which chuckled along at Sheenâs various bouts of reckless hedonism while failing to tell us anything we didnât already know. Rather, it felt as if this loose cannon was being indulged, so any sympathy this series might evoke should be reserved for the people who have had to suffer proximity with this charismatic but flippant narcissist.
The Iris Affair
Of course we knew it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises â or annihilate all of humanity. We stuck with it out of pure admiration for its stars ⌠but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe ⌠in painfully slow-motion. Talk about admitting defeat.
The Gangster Drama
Dodgy figures meeting in empty boxing gyms? The Prodigyâs Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.
In truth, that is unfair on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didnât suffer the ignominy of having to indulge baffling dialects. But there were many other issues. Mainly that it was just profoundly boring; a dispute over narcotics territory between various cockney rogues which felt rather simplistic.
With Love, Meghan
Considering the extent to which she provokes the ire of certain ostentatiously angry commentators, itâs almost tempting to admire the Duchess of Sussexâs televised ventures into quaint lifestyle as deliberate provocations. But then you watch them and are compelled to concede that in this case, they might have a point. Itâs like watching a lifestyle catalogue come to life; a meme for evening drinks with ideas of grandeur; a parade of sleeping dogs, humming beehives, sentimental platitudes and forgettable crafting âtipsâ youâll not remember instantly. All underpinned by immense, mostly undeserved wealth. Ugh.
Victoria Beckham
There are obviously fascinating things to be discussed about regarding Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Rather, the experience was like reading a marketing catalogue. She obviously has every right to bridle at what she describes as her âsternâ image. But unfortunately, she failed to do herself any helps with this guarded letdown of a series.
The Inheritance
It should have been the next cultural phenomenon â except even camper, with a glamorous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: itâs even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was trying way too hard to emulate something way beyond it.
Too Much
How does one follow a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity friends involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not good enough to be âunevenâ.
Given the smart recruitment of talented emerging comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have remained in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isnât it. The material needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, somewhat stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.
Prime Target
We love the star ⌠but did we believe him playing the greatest maths genius since, a man so smart heâs on the verge of a discovery that could ruin society? No! This globe-trotting thriller about secret services spying on â and eliminating â academics frankly got more farcical by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator renowned for explicit exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who showed up to drag her son out of the queue. What we got was disturbing imagery and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.